233. Terry Gilliam (Jason Plays Favorites #5) – the impossible dream
The film becomes the story of the making of the film. From his Monty Python days to now, Don Quixote is a metaphor for Terry Gilliam’s whole career, and for his 30 year project of making a film about a film about the knight of the woeful countenance. We talk about Muppets, time, and basically everything else two humans can talk about.
March 7, 2020
53 min
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234 of 237
Episode 5 · March 7, 2020
233. Terry Gilliam (Jason Plays Favorites #5) – the impossible dream
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Big Think Episodes Around March 7, 2020
Episode 234 of 237 — walk the feed in the order it was published.
223. Karen Armstrong (theologian) – the art of getting outside of yourself
225. Jad Abumrad (Radiolab, Dolly Parton's America) – American Multiverse
233. Terry Gilliam (Jason Plays Favorites #5) – the impossible dream
Summary
[From February through March 22, 2020 (his last day hosting Think Again) Jason will be revisiting favorite past episodes. Jason's new show, starting May 12th, is Clever Creature with Jason Gots.]
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Faith in anything is its own special form of madness.
It’s a challenge to entropy, and entropy takes no challenge lightly. If there’s any better metaphor for this struggle than trying to make a big budget movie with even a shred of integrity, I haven’t found it.
On the one hand, you’ve got this impossible dream. This faith in the beautiful thing that’s supposed to emerge at at the end of the process. On the other hand, the process is a hellish sausage-making machine of studio bosses, financing, and acts of god like four days of flash flooding in the middle of your big shoot. You might as well be Don Quixote, doing battle with a windmill.
What kind of masochist would put themselves through that?
My guest today, Terry Gilliam, is that very masochist. And we should be grateful, because his stomach for the fight has given us movies like THE FISHER KING, BRAZIL, 12 MONKEYS and MONTY PYTHON’s THE LIFE OF BRIAN. And now, almost 30 years after his first, biblically disastrous attempt to make it, THE MAN WHO KILLED DON QUIXOTE. Starring Adam Driver and Jonathan Pryce, the movie is as funny, thrilling, and unpretentiously deep as the best of Gilliam’s work. It’s also kind of like one of those Russian matryoshka dolls: a film inside a film inside a film, all of them metaphors for the holy folly of believing in anything at all.
The Man Who Killed Don Quixote is out April 19th in select theaters and on demand video.
Surprise conversation starters in this episode:
Michelle Thaller on whether time is real or an illusion
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