Poetry Night with Nida Sophasarun, Jennifer Chang, and Cecily Parks

<p></p><p>How close can a person come to home when their family has deserted it? Guided by this question, the poems in Nida Sophasarun's <em><strong>Novice</strong></em> traverse natural, animal, and dream worlds, seeking intimacy in a snake coming in from the rain, a mother's body imagined as a house, and the moon serving as both the missing piece and the linchpin in a night sky. Organized by tropical seasons and unfolding in Asia and the American South, <em>Novice </em>proposes that home is monumental and ruined, remembered and forgotten, local and diffuse, peopled and haunted.</p><p><strong>Nida Sophasarun </strong>is from Atlanta, Georgia, and holds degrees from Wellesley College and the Johns Hopkins Writing Seminars. She has lived and worked in Bulgaria, China, Hong Kong, Japan, Myanmar, and Taiwan. Her poems appear in <em>New England Review, Prairie Schooner, 32 Poems, wildness, </em>and elsewhere.</p><p>Sprawling yet urgent, meditative yet lucid, the poems in Jennifer Chang's anticipated third collection, <em><strong>An Authentic Life</strong></em>, offer a bold examination of a world deeply influenced by war and patriarchy. In dialogues against literature, against philosophy, and against God, Chang interrogates the "fathers" who stand at the center of history. Poems navigate wounds opened by explorations of family and generational trauma, and draw on the author's experiences as a mother, as the daughter of immigrants, and as a citizen of our deeply divided nation. Here, the patriarchal violence of history becomes intimate, brought down to a domestic scale. A woman sweeping the floor cannot escape thoughts of war, or her dying mother, while another scene shows friends questioning the "despite-ness" of love. In poems where the lyric is reimagined as porous, discursive, and bursting open, Chang fearlessly confronts the forms of knowledge that hold power. Meticulous and masterful, <em>An Authentic Life</em> creates a world where we can begin "to unlearn everything."</p><p>Poet and scholar <strong>Jennifer Chang</strong> is the author of two previous collections. Her debut, <em>The History of Anonymity</em> (2008), was an inaugural selection for the <em>Virginia Quarterly Review Poetry Series </em>and a finalist for the Shenandoah/Glasgow Prize for Emerging Writers. Her second book, <em>Some Say The Lark</em> (Alice James Books), was longlisted for the 2018 PEN Open Book Award and won the 2018 William Carlos Williams Award. Her poems have appeared in <em>The Nation, The New Yorker, American Poetry Review, Best American Poetry</em>, and <em>Poetry</em>. Chang holds a BA from the University of Chicago and earned an MFA and Ph.D. from the University of Virginia. Since 2003, she has been the co-chair of the advisory board for Kundiman, a nonprofit organization dedicated to supporting Asian American literature. She teaches at the Michener Center for Writers in Austin, Texas.</p><p>In <em><strong>O'Nights</strong></em>, Cecily Parks constructs stunning manifestations of a modern Thoreauvian wilderness, investigating how the natural world gives shape to the self, body, and emotions. These lyrical, transcendental poems study the duality of nature's feminine and masculine identities, and in its simplicity, offers a space where humankind truly belongs. </p><p><strong>Cecily Parks </strong>is the editor of the anthology <em>The Echoing Green: Poems of Fields, Meadows, and Grasses</em>, and the author of three poetry collections, including most recently <em>The Seeds</em>, which is forthcoming from Alice James Books. Her poems appear in the <em>New Yorker</em>, <em>A Public Space</em>, the <em>New Republic</em>, <em>The Best American Poetry</em>, and elsewhere. She teaches in the MFA Program at Texas State University and lives in Austin, Texas.</p><p><br /></p><p>PURCHASE BOOKS HERE: https://politics-prose.com/poetry-night*recorded 4/4/2025</p>