Molly Ringwald, Judd Apatow, and #MeToo
The John Hughes films that made Molly Ringwald famous—“Sixteen Candles,” “Pretty in Pink,” and “The Breakfast Club”—look very different to their star now that she has a teen-age daughter of her own. Speaking with the writer and director Judd Apatow, who was heavily influenced by Hughes, Ringwald says, “I don’t want to imagine a world where somebody basically mistreats my daughter and she doesn’t expect an apology.” But Apatow is well aware that, in time, audiences may judge his own body of work critically: “People will watch it in the future and go, ‘Whoa, how did they think that was O.K. to do?’ ” Plus, Autumn Miles, a survivor of domestic abuse who has become an evangelical activist, says that churches need to stop encouraging women to submit to abuse. If male church leaders are guilty of sexism, she tells Eliza Griswold, they need to “repent.”
June 26, 2018
33 min
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Episode 200 · June 26, 2018
Molly Ringwald, Judd Apatow, and #MeToo
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The New Yorker Episodes Around June 26, 2018
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33:02This episodeMolly Ringwald, Judd Apatow, and #MeToo
Summary
The John Hughes films that made Molly Ringwald famous—“Sixteen Candles,” “Pretty in Pink,” and “The Breakfast Club”—look very different to their star now that she has a teen-age daughter of her own. Speaking with the writer and director Judd Apatow, who was heavily influenced by Hughes, Ringwald says, “I don’t want to imagine a world where somebody basically mistreats my daughter and she doesn’t expect an apology.” But Apatow is well aware that, in time, audiences may judge his own body of work critically: “People will watch it in the future and go, ‘Whoa, how did they think that was O.K. to do?’ ” Plus, Autumn Miles, a survivor of domestic abuse who has become an evangelical activist, says that churches need to stop encouraging women to submit to abuse. If male church leaders are guilty of sexism, she tells Eliza Griswold, they need to “repent.”
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