N. K. Jemisin on H. P. Lovecraft
N. K. Jemisin is one of the most celebrated authors in science fiction’s history; the novels of her “Broken Earth” trilogy won the Hugo Award for three consecutive years, a unique achievement. Yet her work has also engendered an ugly backlash from a faction of readers who feel that the recognition of women and authors of color within the industry has been undeserving. Racism in science fiction and fantasy goes back to the origins of the genre, Jemisin explains to Raffi Khatchadourian. Her new novel, “The City We Became,” explicitly addresses the legacy of H. P. Lovecraft, an early and influential writer who helped to invent the genre. Lovecraft was also a virulent, impassioned racist, even by the standards of the early twentieth century. It’s not possible, Jemisin says, to separate Lovecraft’s ideology from his greatness as a fantasy writer: his view of non-white peoples as monstrous informed the way he wrote about monsters. Rather than try to ignore or cancel Lovecraft, Jemisin says, she felt compelled to engage with him.
January 31, 2020
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Episode 367 · January 31, 2020
N. K. Jemisin on H. P. Lovecraft
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Summary
N. K. Jemisin is one of the most celebrated authors in science fiction’s history; the novels of her “Broken Earth” trilogy won the Hugo Award for three consecutive years, a unique achievement. Yet her work has also engendered an ugly backlash from a faction of readers who feel that the recognition of women and authors of color within the industry has been undeserving. Racism in science fiction and fantasy goes back to the origins of the genre, Jemisin explains to Raffi Khatchadourian. Her new novel, “The City We Became,” explicitly addresses the legacy of H. P. Lovecraft, an early and influential writer who helped to invent the genre. Lovecraft was also a virulent, impassioned racist, even by the standards of the early twentieth century. It’s not possible, Jemisin says, to separate Lovecraft’s ideology from his greatness as a fantasy writer: his view of non-white peoples as monstrous informed the way he wrote about monsters. Rather than try to ignore or cancel Lovecraft, Jemisin says, she felt compelled to engage with him.
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