Looking Back at an Unimaginable Year
It’s a cliché now, but by no means an overstatement, that the past twelve months have been unimaginable. This week, we’ll hear four short reflections on the events of 2020. Dhruv Khullar describes the early days of the pandemic, when he was taking care of patients in a COVID-19 ward. Anna Wiener visits California’s Big Basin Redwoods State Park, which burned during the catastrophic West Coast fire season that destroyed acreage close to the area of Massachusetts. Simon Parkin waxes nostalgic—already!—for Animal Crossing: New Horizons, a video game that occupied untold hours of families at home together. And Kevin Young, The New Yorker’s poetry editor, picks two poems that stand as monuments to what we have lived through: “George Floyd,” by Terrance Hayes, and “The End of Poetry,” by Ada Limón, both of which were read by the authors.
December 25, 2020
29 min
461
Full
462 of 1,040

Episode 461 · December 25, 2020
Looking Back at an Unimaginable Year
0:00 / 29:07
Excerpt playback isn’t available for this episode — use the full-episode link.
Search the Record
Moment search isn’t open for this episode yet
When it opens, you’ll be able to type any phrase and jump straight to the second it was said.
The New Yorker Episodes Around December 25, 2020
Episode 462 of 1,040 — walk the feed in the order it was published.
29:07This episodeLooking Back at an Unimaginable Year
Summary
It’s a cliché now, but by no means an overstatement, that the past twelve months have been unimaginable. This week, we’ll hear four short reflections on the events of 2020. Dhruv Khullar describes the early days of the pandemic, when he was taking care of patients in a COVID-19 ward. Anna Wiener visits California’s Big Basin Redwoods State Park, which burned during the catastrophic West Coast fire season that destroyed acreage close to the area of Massachusetts. Simon Parkin waxes nostalgic—already!—for Animal Crossing: New Horizons, a video game that occupied untold hours of families at home together. And Kevin Young, The New Yorker’s poetry editor, picks two poems that stand as monuments to what we have lived through: “George Floyd,” by Terrance Hayes, and “The End of Poetry,” by Ada Limón, both of which were read by the authors.
Episode details and artwork are published by the show’s own feed. Sentinel plays short cited excerpts and links every episode back to its publisher.





























