November 17, 2016
13,337
518
47
4.24%
Every word spoken in this episode is indexed. Type any phrase to jump straight to the moment it was said.
Type any word or phrase that may have been spoken. Click a result to seek the player to that exact moment.
Try a name, a topic, or a quoted line
See what was published immediately before and after this episode.
4:19Now PlayingLosing Yourself Goes Against Culture – But It Is What Really Brings Joy
Watch the newest video from Big Think
Join Big Think Edge for exclusive videos
----------------------------------------------------------------------------------
The happiest moments of our lives are when we lose ourselves – in art, in exercise, in love. According to Harvard's Diane Paulus, being able to 'play' and engage in something outside of ourselves is a valuable respite from our egos. It takes a brave adult to play. It’s a kind of subordination, a lessening of your status, a silly exhibition of the child you once were. And that, says Diane Paulus, is why it’s so essential.
Paulus is the Artistic Director of the American Repertory Theater (ART) at Harvard University, so a good percentage of her day is spent encouraging and directing people to appreciate the art of make-believe. What she realized in doing so, and what she’s experienced in her own life, is that losing yourself in something frees you from your ego.
Whether you go for a jog, or paint something, or have sex, or watch a film so absorbing you forget to even eat one kernel of your popcorn – that's a respite from your cerebral, inward-focused self, and that respite is crucial in an age that’s obsessed with the ‘me’, with celebrity, and that's plagued by status anxiety. Play is the great equalizer, as Paulus says: "For me it's come when I've been part of a group. And I think it's because I did theater as a kid and I always found, that moment when you could be with a group of people, and it didn't matter, you didn't matter anymore. And of course you matter because you're bringing all of your heart and your soul and your mind to it, but you're involved in something larger than yourself."
Paulus presents the elegant version of Tyler Durden’s message: "you are not a beautiful and unique snowflake", a sentiment that urges us to live beyond our own limits, to not be caught up in the trapping of our ego, which insists that we are special, and is angry when we’re not treated as such.
Theatre is the way Paulus loses herself; so go out and see a show. Climb a mountain. Read a book. Have sex. Be an audience to something other than yourself. Don’t be afraid to play.
Find more about Diane Paulus at www.dianepaulus.net
DIANE PAULUS :
Diane Paulus is the Terrie and Bradley Bloom Artistic Director of the American Repertory Theater (A.R.T.) at Harvard University, and was selected for the 2014 TIME 100, TIME Magazine's annual list of the 100 most influential people in the world. Paulus is the 2013 recipient of the Tony Award for Best Director of a Musical (Pippin). A.R.T.: Eve Ensler's In the Body of the World, Waitress (currently on Broadway at the Brooks Atkinson Theater), Crossing Finding Neverland, Witness Uganda, Pippin (Tony Award, Best Revival and Best Director), The Gershwins' Porgy and Bess (Tony Award, Best Revival, NAACP Award, Best Direction), Prometheus Bound, Death and the Powers: The Robots' Opera, Best of Both Worlds, Johnny Baseball, The Donkey Show.
Her other recent work includes Cirque du Soleil's Amaluna, Invisible Thread At Second Stage, The Public Theater's Tony Award-winning revival of HAIR on Broadway and London's West End. As an opera director, her credits include The Magic Flute, the complete Monteverdi cycle, and the trio of Mozart-Da Ponte operas, among others. Diane is Professor of the Practice of Theater in Harvard University's English Department. She was selected as one of Variety's “Trailblazing Women in Entertainment for 2014" and Boston Magazine's “50 Thought Leaders of 2014."
--------------------------------------------------------------------------
TRANSCRIPT :
Diane Paulus: I think play is important because you lose your ego. And we live ruled by our egos and our super egos and rules and I should I shouldn't, I should I shouldn't all day long. And when you play that goes away because you have a focus that is not on yourself. And I think in life we crave those moments when we lose our self. For a country that is as obsessed with his selfhood and celebrity and personhood and identity, I think the great irony is that the happiest moments of our lives are when we lose ourselves. And people lose themselves in so many ways. They lose themselves when they take a jog and all of a sudden you're in that zone. You lose yourself in love. You lose yourself when you have sex. You lose yourself when you're just engaged in nature. These are the moments that we crave and I think I have always been interested in that moment and for me it's come when I've been part of a group. And I think it's because I did theater as a kid and I always found that moment when you could be with a group of people and it didn't matter, you didn't matter anymore.
Read the full transcript at
Sentinel Indexing in Progress
Metadata and chapters are available. Claim extraction for this episode is pending.
All video content is delivered via YouTube embedded players in accordance with the YouTube Terms of Service. Sentinel provides research tools that promote discovery and accountability across political media.