April 26, 2018
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10:53Now PlayingThe title of this year’s Best Picture winner, “The Shape of Water,” gives away the game, for the one thing that water does not have is shape. Its very essence is fluidity, formlessness, and freedom from structure. But a film that celebrates this freedom—produced by someone who, by his own admission, hates structure—is sadly emblematic, I fear, of a society that is in danger of losing its ontological balance.
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