Patty Marx Conducts an Orchestra
Patricia Marx is a staff writer at The New Yorker, and has contributed pieces for thirty years. Still, it might not be too late to try out a new career. “There are some jobs and endeavors that look impossibly hard,” she notes. “But conducting [an orchestra]—I just thought, How hard, really, can it be?” Prepared with a little coaching from the real-life conductor Bernard Labadie, and armed with an eight-dollar baton from Amazon, Patty Marx takes a stab at conducting the prestigious Orchestra of St. Luke’s through Hayden’s Symphony No. 45. Marx doesn’t want to do a passable job of conducting the piece; she wants to give it her own unique stamp. With that goal in mind, she devises a set of sui-generis conducting techniques derived from daily activities like hailing a cab, or yoga. “I want to be one of the greats,” Marx says. Plus, the New Yorker’s Kelefa Sanneh sings the praises of his favorite Christian rockers.
December 27, 2019
23 min
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Episode 360 · December 27, 2019
Patty Marx Conducts an Orchestra
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Summary
Patricia Marx is a staff writer at The New Yorker, and has contributed pieces for thirty years. Still, it might not be too late to try out a new career. “There are some jobs and endeavors that look impossibly hard,” she notes. “But conducting [an orchestra]—I just thought, How hard, really, can it be?”
Prepared with a little coaching from the real-life conductor Bernard Labadie, and armed with an eight-dollar baton from Amazon, Patty Marx takes a stab at conducting the prestigious Orchestra of St. Luke’s through Hayden’s Symphony No. 45. Marx doesn’t want to do a passable job of conducting the piece; she wants to give it her own unique stamp. With that goal in mind, she devises a set of sui-generis conducting techniques derived from daily activities like hailing a cab, or yoga. “I want to be one of the greats,” Marx says. Plus, the New Yorker’s Kelefa Sanneh sings the praises of his favorite Christian rockers.
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