April 24, 2012
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9:22Now PlayingBill Wasik Introduces Flash Mobs
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The Harper’s editor explains the evolution of a very original kind of performance art.
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Bill Wasik:
Bill Wasik is a senior editor of Harper's Magazine. He has also contributed to McSweeney's and served as Editor of The Weekly Week. Mr. Wasik revealed himself in 2006 to be the inventor of the flash mob, having anonymously organized the first recognized examples in New York City during the summer of 2003.
Wasik is the author of And Then There's This: How Stories Live and Die in Viral Culture (Viking, 2009). He is also the editor, with Roger D. Hodge, of Submersion Journalism: Reporting in the Radical First Person from Harper's Magazine (New Press, 2008)
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TRANSCRIPT:
Question: What are flash mobs?
Bill Wasik: Okay. Well, flash mobs are gatherings of people somewhere in physical space that last for 10 minutes or less and they are brought together on the fly via text message or email and then everyone disperses and leaves no trace.
Question: Can flash mobs make political statements?
Bill Wasik: I think that flash mobs are a demonstration of what technology can do, they’re demonstrations of how you can use fun and the kind of a sense of being a secret agent on a mission to get people together in really large numbers. I think that because the idea of flash mobs as being absurd and being ten minutes or less sort of means that they are not very great vehicles for expression or for actual, you know, creating political change, but I do think that they are an incredibly powerful demonstration of what these kinds of gatherings can do and I think that a lot of people are using flash mob type ideas to try to affect change or try to express themselves in interesting ways. For me, the flash mob is sort of more showing what could be done but that the more serious stuff is a step beyond
To me, flash mobs were a kind of performance art and, you know, they weren’t protests, they certainly weren’t a substitute for protest. They were a social experiment, they were a demonstration of what the technology of internet chain emails could do and text messaging can do and a demonstration of social networks in the way in which people can just through you know one person forwards it to ten people and they forward it to 10 people and before you know it you can gather really tremendous crowds. And I also think that they were an important demonstration to the people who took part in them where, you know, especially in this kind of era of Facebook where we have these large communities of “friends” but our relationship with them are so virtual and they’re so bound up in this very ephemeral or kind of just purely digital transactions where you see a face on the screen and you send a message or you see a post on the wall. There’s something about flash mobs where those connections are suddenly made really explicit or really virtual and they remind us that we are still people who have bodies and still people who have the ability to create change in the real physical world.
Question: What was your most memorable flash mob?
Bill Wasik: Probably our biggest flash mob here in New York was at the Toys R Us in Times Square. I don’t know if you’ve been to that Toys R Us but it’s this incredible spectacle, you know, there’s a working ferris wheel inside the store that is sort of like three stories tall and there’s a giant animatronic T-rex dinosaur up on the top floor where you know it has this lifelike dinosaur movements and it roars and so we have a flash mob up there in the second floor where everybody filtered in secretly and they were just hanging out around, you know, in the Barbie Place or with the G.I. Joes, that sort of thing and then at the appointed moment they all rushed this dinosaur and they got down to their knees and they coward behind their hands like this dinosaur was a terrible god and this was really just a phenomenal thing to see. You know, this is one of the biggest, most kind of impressive stores in the whole city and we basically just shut down the whole second floor with this impromptu kind of enacting of fealty to this dinosaur and it was really a kind of magical moment of crystallizing personhood. We had sort of disruptive the flow of this store in a way that was just, that was just really remarkable to see.
Question: Do flash mobs trespass on private property?
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